Massey Hall

December 22, 2024 2:00 pm

Last year Sing-Along Messiah sold out 3 weeks early!

Get your tickets now for Sing-Along Messiah, returning home to Massey Hall.

Mr. Handel is coming to town! As he’s done for almost four decades, George himself will be directing Sing-Along Messiah, and is sure to have some tricks up his voluminous baroque sleeves. It’s the first Sing-Along in the newly renovated Massey Hall, and you can be among the 2,000 audience members gathered to “raise the roof” in Handel’s bracing choruses. Join a glittering cast of soloists and the Tafelmusik Baroque Orchestra and Chamber Choir in this joyous and unforgettable experience.

Whether you’re an avid singer, an occasional crooner, or just want to join the festivities to “listen along,” this is a Toronto tradition that you won’t want to miss!

Box Office
Massey Hall
(416) 872-4255 | Email
Running Time
2.5 hours
Style of Music
Baroque choral

Guest artists

Myriam Leblanc

Soprano

Québecoise soprano Myriam Leblanc has garnered rave reviews: music critic Christophe Huss opined that “in the last ten years, she is one of the most beautiful voices, perhaps the most beautiful, to have emerged from the Quebec talent pool” (Samedi et rien d’autre, Radio-Canada). With a Master’s degree in choral conducting from the Université de Sherbrooke and a diploma from McGill University, the young soprano is equally at home in the classical, bel canto, and baroque repertoires. Boasting numerous awards, she has been a guest soloist of various symphony orchestras, including the OSM, Orchestre Métropolitain, and those of Trois-Rivières, Quebec City, and Saskatoon. On the operatic stage, she has distinguished herself in productions by Opéra de Montréal (Rigoletto, Svadba, Aida), Opéra de Québec (Carmen), Orchestre Métropolitain (Parsifal), and Jeunesses Musicales du Canada (Roméo et Juliette). She has also performed in concert most notably with I Musici, Ensemble Caprice, Les Violons du Roy, and Tafelmusik, and has recorded for the Analekta label. Her recent projects include the role of Mimi in Puccini’s La Bohème with Francis Choinière in Trois-Rivières, and of Dido in Purcell’s Dido and Aeneas with Ensemble Caprice.

Krisztina Szabó

Mezzo-Soprano

Hungarian-Canadian mezzo-soprano Krisztina Szabó is highly sought after as an artist of supreme musicianship and stagecraft. She is known for her interpretation of baroque music as well as her promotion and performance of contemporary Canadian works. She has appeared on all the major opera and concert stages across Canada, and performs regularly with the Canadian Opera Company, Vancouver Opera, Tapestry Opera, Early Music Vancouver, and Tafelmusik.

International appearances include San Francisco Opera, Opera Philadelphia, Stadttheater Klagenfurt, and Wexford Festival Opera. In 2018, Krisztina made her Royal Opera and Netherlands Opera débuts in George Benjamin’s new opera, Lessons in Love and Violence, the recording of which received a Grammy nomination for Best Opera Recording. Her discography includes New Jewish Music, Vol. 3 (Analekta), Ana Sokolovic – Sirens (Naxos), and Talisker Players Where Words and Music Meet (Centrediscs). 

Krisztina Szabó is Assistant Professor of Voice and Opera at the University of British Columbia School of Music.

Jacob Perry

Tenor

Tenor Jacob Perry is lauded for his stylish interpretations of early music. As a soloist, he has lent his graceful sense of phrasing and luminous tone to engagements with Apollo’s Fire, Bach Collegium San Diego, Jacksonville Symphony, New York Philharmonic, Philharmonia Baroque, Portland Baroque Orchestra, Tempesta di Mare, Washington Bach Consort, and the Washington National Cathedral. Jacob enjoys active membership in Les Canards Chantants, a soloist-ensemble based in Philadelphia, as well as engagements with chamber ensembles such as the Art of Early Keyboard (ARTEK), Res Facta, and TENET Vocal Artists. 

Career highlights include his recent solo debut with the New York Philharmonic singing Handel’s Israel in Egypt, headlining the inaugural festival of Western Early Music at the Beijing Central Conservatory of Music with Les Canards Chantants, and English Orpheus—a tour-de-force exploration of love songs and poems from the Elizabethan, Restoration, and early 18th-century periods he performed with Tempesta di Mare.

Tyler Duncan

Baritone

Canadian baritone Tyler Duncan has performed worldwide to great acclaim in both opera and concert repertoire. He has performed numerous roles at The Metropolitan Opera, and has appeared at the Spoleto Festival USA, and with Pacific Opera Victoria and City Opera Vancouver, among others. He has performed with leading symphony orchestras across North America, including the Toronto Symphony, New York Philharmonic, and San Francisco Symphony. Tyler works regularly with period ensembles, including several appearances with Tafelmusik. Frequently paired with pianist Erika Switzer, he has given acclaimed song recitals throughout Canada, and in the US, France, German, Sweden, and South Africa. Notable recordings include the JUNO Award-winning Vaughan-Williams Serenade to Music with the Toronto Symphony Orchestra, Earthquakes and Islands: an album of songs by Andrew Staniland with texts by Robin Richardson, the title role in John Blow’s Venus and Adonis with Boston Early Music Festival, and J.S. Bach’s St John Passion with the Portland Baroque Orchestra. Tyler Duncan is featured with the Montreal Symphony in a video recording of Handel’s Messiah.

Originally from British Columbia, Tyler now makes his home in the Hudson Valley and teaches voce at Bard College.

Performers

Directed by Mr. Handel
Tafelmusik Chamber Choir
Tafelmusik Orchestra
Myriam Leblanc soprano
Krisztina Szabó mezzo-soprano
Jacob Perry tenor
Tyler Duncan baritone
The Audience


Program

Handel Messiah 

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