Jeanne Lamon Hall, Trinity-St. Paul’s Centre

March 12, 2026 7:30 pm
March 13, 2026 8:00 pm
March 14, 2026 8:00 pm
March 15, 2026 3:00 pm

Over the course of 40 years, J.S. Bach wrote more than 200 astonishing cantatas, of which only a handful are regularly performed today

Ivars Taurins has combed through all 200 to hand-pick a few hidden gems—choruses, arias, and recitatives—that we don’t hear as often in concert.

Our Bach Celebration magnifies the composer’s mastery and genius, creating a gallery of aural contrasts that range from a jubilant chorus with trumpets and timpani from Cantata 11 (the “Ascension Oratorio”), to the hauntingly beautiful aria “Die seele ruht” from Cantata 127.

Joining the orchestra and choir are two vocal soloists known for their exquisite Bach interpretations. Soprano Myriam Leblanc, with her voice “like a brandy distillate, absolutely transparent” (Le Devoir), appeared most recently with Tafelmusik in our 2024 Handel Messiah and is featured in Choral Splendours in March 2025.

The Grammy Award-winning tenor James Reese made an impressive Tafelmusik debut in Messiah in 2023. Reese was noted for his “fresh, youthful tone … Whether in declamatory recitatives or the aria proper, he sang with great feeling and attention to detail” (Ludwig van Toronto).

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Running Time
120 minutes
Style of Music
Baroque vocal, choral

Guest artists

A headshot of Myriam Leblanc

Myriam Leblanc

Soprano

Québecoise soprano Myriam Leblanc has garnered rave reviews: music critic Christophe Huss opined that “in the last ten years, she is one of the most beautiful voices, perhaps the most beautiful, to have emerged from the Quebec talent pool” (Samedi et rien d’autre, Radio-Canada). With a Master’s degree in choral conducting from the Université de Sherbrooke and a diploma from McGill University, the young soprano is equally at home in the classical, bel canto, and baroque repertoires. Boasting numerous awards, she has been a guest soloist of various symphony orchestras, including the OSM, Orchestre Métropolitain, and those of Trois-Rivières, Quebec City, and Saskatoon. On the operatic stage, she has distinguished herself in productions by Opéra de Montréal (Rigoletto, Svadba, Aida), Opéra de Québec (Carmen), Orchestre Métropolitain (Parsifal), and Jeunesses Musicales du Canada (Roméo et Juliette). She has also performed in concert most notably with I Musici, Ensemble Caprice, Les Violons du Roy, and Tafelmusik, and has recorded for the Analekta label. Her recent projects include the role of Mimi in Puccini’s La Bohème with Francis Choinière in Trois-Rivières, and of Dido in Purcell’s Dido and Aeneas with Ensemble Caprice.

James Reese

Tenor

“A shining tenor” (New York Classical Review), American tenor James Reese delivers dynamic performances that connect audiences to art, with a voice that The Washington Post calls “bright, agile, and full of heart.” Reese maintains close relationships with many of the finest period ensembles in North America, including Tafelmusik, Philharmonia Baroque Orchestra, the Boston Early Music Festival, American Bach Soloists, Les Délices, and The Sebastians. Collaborations with these ensembles in recent years have seen him perform throughout North America as well as venues in Belgium, Sweden, Finland, and Germany. Opera Today writes that James is “a master of Baroque style… [he] demonstrates that power in music can come just as much from ease as from force, in fact, perhaps even more so.”

An active recitalist, Reese performs frequently with lutenist Brandon Acker on recitals of early song. Their album of intimate songs from seventeenth-century France, Spain, and the New World is set to be released in 2026. James also works often with pianist Daniel Overly on programs of art song and lieder. Together, they debuted at the Philadelphia Chamber Music Society. 

James is a graduate of Northwestern University’s Bienen School of Music and holds a masters degree from the Yale School of Music. He lives in Philadelphia with his wife Natalie. 

Performers

Myriam Leblanc soprano
James Reese tenor
Tafelmusik Chamber Choir
Tafelmusik Baroque Orchestra
Directed by Ivars Taurins

Program

Chorus: Lobet Gott in seinen Reichen (Cantata 11)

Tenor chorale/recitative: Die Welt sucht Ehr und Ruhm (Cantata 94)

Chorus: Du sollt Gott (Cantata 77)

Soprano aria: Die Seele ruht (Cantata 127)

Chorus: Es erhub sich ein Streit (Cantata 19)

Tenor aria: Die schäumenden Wellen (Cantata 81)

Chorale: Wer hofft in Gott (Cantata 109.6)

Soprano chorale: Ich, dein betrübtes Kind (Cantata 199)

Chorus: Du wollest dem Feinde (Cantata 71)

Chorus: O ewiges Feuer (Cantata 34)

Chorus: Sei Lob und Ehr (Cantata 117)

Chorus: Jesu, der du meine Seele & Tenor aria: Das Blut, so meine Schuld (Cantata 78)

Recitative: Wohl aber uns (Cantata 130)

Soprano aria: Wie zittern und wanken & Chorale: Nun, ich weiß (Cantata 105)

Gloria in excelsis Deo (Cantata 191)

              Chorus: Gloria in excelsis Deo

              Duet: Gloria patri           

              Chorus: Et in saecula saeculorum

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