Jeanne Lamon Hall, Trinity-St. Paul’s Centre

Over the course of 40 years, J.S. Bach wrote more than 200 astonishing cantatas, of which only a handful are regularly performed today

Ivars Taurins has combed through all 200 to hand-pick a few hidden gems—choruses, arias, and recitatives—that we don’t hear as often in concert.

Our Bach Celebration magnifies the composer’s mastery and genius, creating a gallery of aural contrasts that range from a jubilant chorus with trumpets and timpani from Cantata 11 (the “Ascension Oratorio”), to the hauntingly beautiful aria “Die seele ruht” from Cantata 127.

Joining the orchestra and choir are two vocal soloists known for their exquisite Bach interpretations. Soprano Myriam Leblanc, with her voice “like a brandy distillate, absolutely transparent” (Le Devoir), appeared most recently with Tafelmusik in our 2024 Handel Messiah and is featured in Choral Splendours in March 2025.

The Grammy Award-winning tenor James Reese made an impressive Tafelmusik debut in Messiah in 2023. Reese was noted for his “fresh, youthful tone … Whether in declamatory recitatives or the aria proper, he sang with great feeling and attention to detail” (Ludwig van Toronto).

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Running Time
120 minutes
Style of Music
Baroque vocal, choral

Guest artists

A headshot of Myriam Leblanc

Myriam Leblanc

Soprano

Québecoise soprano Myriam Leblanc has garnered rave reviews: music critic Christophe Huss opined that “in the last ten years, she is one of the most beautiful voices, perhaps the most beautiful, to have emerged from the Quebec talent pool” (Samedi et rien d’autre, Radio-Canada). With a Master’s degree in choral conducting from the Université de Sherbrooke and a diploma from McGill University, the young soprano is equally at home in the classical, bel canto, and baroque repertoires. Boasting numerous awards, she has been a guest soloist of various symphony orchestras, including the OSM, Orchestre Métropolitain, and those of Trois-Rivières, Quebec City, and Saskatoon. On the operatic stage, she has distinguished herself in productions by Opéra de Montréal (Rigoletto, Svadba, Aida), Opéra de Québec (Carmen), Orchestre Métropolitain (Parsifal), and Jeunesses Musicales du Canada (Roméo et Juliette). She has also performed in concert most notably with I Musici, Ensemble Caprice, Les Violons du Roy, and Tafelmusik, and has recorded for the Analekta label. Her recent projects include the role of Mimi in Puccini’s La Bohème with Francis Choinière in Trois-Rivières, and of Dido in Purcell’s Dido and Aeneas with Ensemble Caprice.

James Reese

Tenor

“A shining tenor” (New York Classical Review), American tenor James Reese delivers dynamic, thoughtful performances that facilitate intimate connections between audiences and his art. Reese maintains close relationships with many of the finest period ensembles in North America, including Tafelmusik, Portland Baroque Orchestra, Philharmonia Baroque Orchestra, American Bach Soloists, Les Délices, and The Sebastians. Collaborations with these ensembles in recent years have taken him to venues from Hawaii to international locales in Belgium, Sweden, Finland, Canada, and Germany.

An active recitalist, Reese has performed for the Philadelphia Chamber Music Society, as well as collaborative recital programs with Tempesta di Mare and Piffaro. He works frequently with friend and collaborator, pianist Daniel Overly, and in 2025, they present Schubert’s Die Schöne Mullerin at the historic Hill-Physick House in Philadelphia. 

James has recorded on the Hyperion, ECM, Harmonia mundi, Innova, and Albany labels. As an ensemble musician, James sings frequently with leading choruses and vocal ensembles, including Tenebrae, Blue Heron, Seraphic Fire, The Crossing, and Gallicantus.  Also an advocate for new music, James was a founding member of Philadelphia vocal ensemble Variant 6.

Performers

Myriam Leblanc soprano
James Reese tenor
Tafelmusik Chamber Choir
Tafelmusik Baroque Orchestra
Directed by Ivars Taurins

Program

Choruses, arias and duets from Bach’s cantatas

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